Claire Bishop is a British art historian, critic, and Presidential Professor of Art History at CUNY Graduate Center, New York where she has taught since September 2008. Bishop is known as one of the central theorists of participation in visual art and performance. Her 2004 essay titled “Antagonism and Relational Aesthetics,” which was published in October, remains an influential critique of relational aesthetics. Bishop's books have been translated into twenty languages and she is a frequent contributor to the magazine Artforum and the journal October.

Artificial Hells
2012
ISBN 9781781683972
Practicable: From Participation to Interaction in Contemporary Art
2016
ISBN 9780262034753
Vers un musée radical
2021
ISBN 9791092305760
Cabaret de curiosités - Black / White / Live Box
2013
ISBN 9782365300179
人造地獄:參與式藝術與觀看者政治學
2015
ISBN 9789866049934
Disordered Attention
2024
ISBN 9781804292884C'est Bon Anthology Vol. 4, And A Will To Experiment
2008
ISBN 9789197652841
Installation Art
2005
ISBN 9780415974127
Participation
2006
ISBN 9780262524643
Double agent
2008
ISBN 9781900300582
Museologia radicale. Ovvero, cos'è «contemporaneo» nei musei d'arte contemporanea?
2017
ISBN 9788860101884
Yapay Cehennemler; Katilimci Sanat ve Izleyici Politikasi
2018
ISBN 9786059389518
INSTALLATION ART: A CRITICAL HISTORY
2011
ISBN 9781854375186
Radical Museology
2013
ISBN 9783863353643