Det goda onda

The characters of Good and Evil find themselves at a point of no return, dazzled by the glare of impending tragedy. Vulnerable and profoundly human, they become trapped in the instant in which the uncanny has lurched into their lives. Some are transformed, some are isolated, others waver between guilt or tenderness. All of them are driven by uncertainty. Schweblin’s prose uses tension and truth to construct a literary universe in which the monsters of everyday life come so close to us that we can almost feel their breath. Her writing provokes awe and disquiet, a state of alarm that at the same time transports us to a hypnotic world as recognizable as it is strange.