About this book
When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. The first collection of its kind, its contributors covered a wide range of subjects from analysis of the work of gay composers to queer readings of Schubert's Unfinished Symphony. Among the contributors were many then-new scholars, --including the late Philip Brett (one of the editors of the first edition), Susan McClary, Jennifer Rycenga, Paul Attinello, and Martha Mockus--who have since become leaders in the field. In light of.
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