Toby's Room (Life Class Trilogy, Book 2)

Product Description [Read by Nicola Barber] Masterfully written and daringly ambitious, Toby's Room explores at all levels of it means to be human. It is 1917 and Elinor Brooke, a young painter, is studying art in London while her beloved brother Toby serves on the front as a medical officer. When Toby goes missing and is presumed dead, the devastated Elinor refuses to accept it. A letter she finds hidden among his belongings reveals that Toby knew he wasn't coming back and implies that his friend, medic Kit Neville, knows why. But Kit has been horribly disfigured and is reeling from shell shock. While Elinor tries to piece together the mystery of what happened to her brother, she uses her drawing skills to aid in the surgical reconstruction of those who have suffered unspeakable losses -- their faces, their memories, their very minds. Review Praise for Toby's Room:''Barker...has pursued [World War I] through a remarkable series of novels: the much-admired ''Regeneration'' trilogy...Life Class and now Toby's Room.... [T]hese novels go far beyond a demonstration of the powers of the historical imagination. Like most good works of fiction, they're not so much about the events they depict as about the resonance of those events, the way certain actions ripple through people's lives.... Toby's Room takes large risks. It's dark, painful and indelibly grotesque, yet it is also tender. It strains its own narrative control to create in the midst of an ordinary life a kind of deformed reality -- precisely to illustrate how everything we call 'ordinary' is disfigured by war. And it succeeds brilliantly.'' --John Vernon, New York Times Book Review''[T]he writing is lucid and often beautiful.'' --Thom Geier, Entertainment Weekly''A tantalizing and moving return to wartime London.'' --Joanna Scutts, Washington Post''You get a glimpse inside Toby's room in Pat Barker's poignant novel of the same name, but what you remember are three real and very different English landmarks the Slade, London's prestigious art academy; Cafe Royal, frequented by the likes of Oscar Wilde, Winston Churchill and Virginia Woolf; and the Queen's Hospital, opened in 1917 to serve injured British soldiers in need of facial reconstruction.... No one evokes England in all its stiff-upper-lip gritty wartime privation like Barker. She is as uncompromising as Henry Tonks, as determined to render an honest portrayal of war. She will not allow us to sweep it out of sight.... [She] sets the bar high.'' --Ellen Kanner, Miami Herald''Haunting and complicated sibling love is at the heart of Pat Barker's Great War novel.... [T]he precision of Ms. Barker's writing shows her again to be one of the finest chroniclers of both the physical and psychological disfigurements exacted by the First World War.'' --Wall Street Journal''Barker deftly fused fact and fiction in her hugely impressive ''Regeneration Trilogy'' by turning the war poets Siegfried Sassoon and Wilfred Owen into integral characters. She continues this blending in Toby's Room.... [It] is in many ways Barker's most ambitious novel to date.... As ever, the war scenes, and the accounts of the broken men who inhabit them, are, by turn, gripping and unsettling. However, in with the carnage and the trauma are those expert passages on art as something both reflective and redemptive. This is a powerful book that chronicles in various ingenious ways, and from certain unique perspectives, 'the poignancy of a young life cut short.' '' --Malcolm Forbes, San Francisco Chronicle''A Pat Barker novel...is a novel that deals in some way with the horrors of World War One, and it's a also a novel about art, but mostly it's a novel about how art attempts to depict the horrors of World War One. And this is how a Pat Barker novel attempts to depict the horrors of World War One: bluntly.'' --Brock Clark, Boston Globe''[A]lthough Toby's Room is not billed as a prequel or sequel to Life Class and the reader need not be familia