Patty Fairfield (1901). By

"How old are you, Patty?" asked her father, abruptly. "Fourteen, papa, -why?" "My conscience! what a great girl you're getting to be. Stand up and let me look at you." Patty Fairfield, with two twists and a spring, brought herself to her feet, and stood awaiting her father's inspection. He saw a slender, graceful girl, a Southern blonde of the purest type. Her pretty golden hair would gladly have hung in curly masses, but it was only allowed to have its own sweet will around her temples and at the end of a long thick braid. Her eyes were blue, deep and twinkly, and the rest of her face was as pretty and sweet as soft girlish contours and a perfect complexion could make it. But best of all was the gentle expression and frank, good-natured smile which so often broke into mischievous dimples. It did on this occasion, and Patty laughed merrily at her father's grave consideration of her.... Carolyn Wells (June 18, 1862 - March 26, 1942) was an American writer and poet. Life and career: Born in Rahway, New Jersey, she was the daughter of William E. and Anna Wells.She died at the Flower-Fifth Avenue Hospital in New York City in 1942. Wells had been married to Hadwin Houghton, the heir of the Houghton-Mifflin publishing empire founded by Bernard Houghton. Wells also had an impressive collection of volumes of poetry by others. She bequeathed her collection of Walt Whitman poetry, said to be one of the most important of its kind for its completeness and rarity, to the Library of Congress. After finishing school she worked as a librarian for the Rahway Library Association. Her first book, At the Sign of the Sphinx (1896), was a collection of charades. Her next publications were The Jingle Book and The Story of Betty (1899), followed by a book of verse entitled Idle Idyls (1900). After 1900, Wells wrote numerous novels and collections of poetry. Carolyn Wells wrote a total of more than 170 books. During the first ten years of her career, she concentrated on poetry, humor, and children's books. According to her autobiography, The Rest of My Life (1937), she heard That Affair Next Door (1897), one of Anna Katharine Green's mystery novels, being read aloud and was immediately captivated by the unraveling of the puzzle. From that point onward she devoted herself to the mystery genre. Among the most famous of her mystery novels were the Fleming Stone Detective Stories which-according to Allen J. Hubin's Crime Fiction IV: A Comprehensive Bibliography, 1749-2000 (2003)-number 61 titles. Wells's The Clue (1909) is on the Haycraft-Queen Cornerstone list of essential mysteries. She was also the first to conduct a (brief, in this case) annual series devoted to the best short crime fiction of the previous year in the U.S., beginning with The Best American Mystery Stories of the Year (1931) (though others had begun a similar British series in 1929). In addition to books, Wells also wrote for newspapers. Her poetry accompanies the work of some of the leading lights in illustration and cartooning, often in the form of Sunday magazine cover features that formed continuing narratives from week to week. Her first known illustrated newspaper work is a two part series titled Animal Alphabet, illustrated by William F. Marriner, which appeared in the Sunday comics section of the New York World. Many additional series ensued over the years, including the bizarre classic Adventures of Lovely Lilly (New York Herald, 1906-07). The last series she penned was Flossy Frills Helps Out (American Weekly, 1942), which appeared after her death. Today, however, she is best known for her light verse, particularly for several classic limericks, including this one: A canner exceedingly canny One morning remarked to his granny: "A canner can can Any thing that he can But a canner can't can a can, can he?"