Spenser Studies A Renaissance Poetry Annual, XXIX

Contents Volume XXIX David Lee Miller, “The Kathleen Williams Lecture 2014: The Chastity of Allegory” David J. Baker, “Britain Redux” Talia Meyers, “Saracens in Faeryland” Robert Lanier Reid, “Sansloy’s Double-Meaning and the Mystic Design of Spenser’s Legend of Holiness” Katharine Cleland, “English National Identity and the Reformation Problem of Clandestine Marriage in Spenser’s Faerie Queene, Book I” Russ Leo, “Medievalism without Nostalgia: Guyon’s Swoon and the English Reformation Descensus ad Inferos” Jerrod Rosenbaum, “Spencer’s Merlin Rehabilitated” Kelly Lechtonen, “The Abjection of Malbecco: Forgotten Identity in Spenser’s Legend of Chastity” Robert W. Tate, “Haunted by Beautified Beauty: Tracking the Images of Spenser’s Florimell(s)” Jeffrey B. Griswold, “Allegorical Consent: The Faerie Queene and the Politics of Erotic Subjection” Matthew Harrison, “The Rude Poet Presents Himself: Breton, Spenser, and Bad Poetry” Ruth Kaplan, “The Problem of Pity in Spenser’s Ruines of Time and Amoretti” Jean R. Brink, “Publishing Spenser’s View of the Present State of Ireland: From Matthew Lownes and Thomas Man (1598) to James Ware (1633)” Gleanings Gillian Hubbard, “The Folly of Proverbs and the Mammon of Book II of The Faerie Queene” Rodney Stenning Edgecombe, “The Meaning of ‘Imply’ in The Faerie Queene III.vi.34” Index